Kosuth: One and three chairs (1965)
'Perhaps only because it's been this way for me, it seems that the strongest artists have their "why" before they have their "how". It certainly was that way for Pollack, for Reinhardt, for Judd, for Flavin. It's about having one's "why" and realizing that everyone else's "how" won't do; and the continuing search for a personal "how" that directly answers and relates to his "why".
Joseph Kosuth Art After Philosophy and After: Collected Writings 1966-1990
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